Monday, July 17, 2017



           Despite a strong need to occasionally smack Cersei in the face, I really do love her as a character. Paranoid and ruthless and deeply, bitterly resentful of being underestimated her entire life, Cersei now has unqualified, unquestioned power and she intends to keep it. Cersei has always been a primary antagonist, first of Tyrion and the Starks, and then of the Tyrells, and now of Westeros in general. She has proven time and again that she is above nothing in her pursuit of security and power, even mass murder. Destroying the Tyrells (and many of her own innocent citizens) last season destroyed her final presumed imminent threat, and with an enormous monster protector, FrankenMountain, by her side, she seems invincible. But, what is she fighting for? As Jaime pointed out in last night's premiere episode, their children are dead. There is no Lannister legacy left to fight for, and they are now surrounded by large armies of enemies on all sides. Jaime, though, has once again underestimated his twin. Cersei is not fighting for family glory, as her father did, or even for love as Jaime always has. Cersei is fighting for herself, for her own pride, and her own vanity. Now severed from her one "redeeming" characteristic, her enormous love for her children, Cersei is all about herself and her own life, which she knows is in constant danger.
        Aside from the constant threat of attack by Danaerys, it would seem that Cersei's greatest need at this time is to keep the people of Westeros from revolting against her. She has never been one to give the actual citizens under her rule a passing thought, and even seems to actively detest them (remember her stepping over them with a disgusted look on her face way back in Season 5?) The feeling seems mutual- during her infamous Walk of Shame at the end of Season 5, the unwashed masses of King's Landing threw dung at her, cursed at her, spat on her, and shoved her, all while hurling mean (if accurate) insults at her. The rise of the Bernie Sanders-esque populist hero The High Sparrow may have given the common people someone who, at least on the surface, really cared about them. His recent death, as well as Cersei's complete disregard for the innocent lives lost in her recent attack on the Sept, may propel the citizens of King's Landing to stage a coup d'tat against their wicked queen. 

        On the surface, Danaerys is the clear threat to Cersei's rule- after all, it was prophesied that one who was "younger and more beautiful" would come and "cast you down and take all you hold dear." Since Danaerys is literally coming to cast Cersei down, Danaerys is an imminent danger, and most would say that of the two choices, Dany is obviously the best option. But, the question remains: is Dany prepared for the challenge ahead? It's all well and good to feel entitled to something by birthright, but it's another entirely to settle in a country you're not familiar with, which is both warring with itself and facing enormous threat from ice zombies, and decide to rule things.
         First of all, Dany's track record as a conqueror is great, but her track record as an actual ruler isn't as good. Historically, she has taken over a city, sacked it, freed it's slaves and murdered many of its ruling class, and then promptly abandoned the city to go on to the next one. Her inability to stick around very long usually means that the cities she takes over inevitably fall back into chaos, usually with those who had power in the first place taking it back. Whenever a government is overthrown, a new order must be established, and Dany's strong sense of morality is entirely black and white. She is not willing to negotiate or compromise, and usually this means freeing the slaves of a city and roasting anyone who doesn't agree with her alive. 
       This level of ferocious morality doesn't work in "the great game," as Tyrion calls it. Dany cannot take over Westeros and claim it as her birthright, and then just set fire to anyone who doesn't like it. This was the strategy used by her father, the Mad King, and as each season passes, it becomes clear that Dany has a little of the infamous Targaryen madness in her veins. There are some things working in her favor, though: firstly, several of the influential players of the other great houses are gone. Cersei destoryed the remaining Tyrells, the Baratheons destroyed themselves in the Battle of the Five Kings, and all of the Lannister/Baratheon children are dead. Secondly, the remaining power in those great houses have strongly aligned with her. The Greyjoys, the Martells, and Grandma Tyrell have joined forces with her. Finally, though she doesn't yet know it, she has a nephew who is the ruling King in the North. Will Jon leave Sansa to run Winterfell and join his aunt in defeating the White Walkers and taking Westeros back from Cersei?
      Much of this comes, once again, down to the citizens of King's Landing. Dany has always had the popularity of the commonfolk, which Cersei lacks. Riding a wave of populism may put her into power on its own. However, as I discussed before, Dany is now settling in to stay, and being queen is much more difficult than becoming queen. Will the common people accept an outside foreigner as their best bet for survival? If they disagree, will Dany release her dragons on them? We'll see. 



      Sansa's growth as a character has been among the most fascinating throughout the series. She began in Season 1 as Everyone's Least Favorite Character (much of that hate being for totally sexist reasons) and was pretty much a bratty, starry eyed teenage girl. Since then, she has been through hell and back, first under the thumb of Joffrey and Cersei, and then as Ramsay's bride. Poor Sansa has consistently had her hopes dashed and her body abused, and she has become much like Cersei- beautiful, icy, and vengeful. Much of Cersei's influence lingers in Sansa. After all, it was Cersei who truly taught Sansa what power is and how to wield it. In last night's premiere episode, Jon is left to determine what will become of the children of the North's rebellious houses, the Umbers and the Karstarks. Jon favors forgiveness and mercy, choosing a united North to fight the White Walkers with him. Sansa chooses revenge and harsh consequences, deciding it better to reward loyalty by casting the young Umbers and Karstarks out into the snow and giving their ancestral homes to loyal houses. Jon wins, because he is the King in the North and Sansa is not, and later chastises Sansa for calling him out in front of his men.
     This is an interesting turn of events. Just like Cersei, Sansa is being dismissed and fussed at by the men in her family, even though Jon isn't actually a Stark at all. Once Sansa learns that Jon is a Targaryen, will she turn against him and decide to take her place as Wardness of the North? Will Jon's resentment of being pushed around by men turn her into Cersei 2.0? Though she still values family and her own home, Sansa is no longer the naive little girl she once was. There's no telling where her story will take her, but if I had to guess, I'd guess that she is named Wardness of the North, with Petyr Baelish demanding that she marry him in exchange for his army. (Shudders)



        Much as we all love Arya, my gut says that she will not be left standing at the end of this. I feel that Arya's death will come in a blaze of glory, killing someone on her list- Cersei, maybe, or even The Hound. (Wouldn't that be tragic, after all this time?) What remains to be seen with Arya is how deeply she gets into killing. She's already become a hard, soulless little assassin, and as Harry Potter proved to us, murder divides up the soul. What will become of Arya? She aspires to power and has none. All she wants is vengeance for her family. What is her role in the Great Game? We'll see. 

Wednesday, March 8, 2017

Favorite Fictional Couples


20) Roger Sterling and Joan Hollaway Harris (Mad Men)

     Sometimes couples who are meant to be end up together at the end, and sometimes they just long to. Roger and Joan have- at least on the surface- a cliche relationship. He's the smug, married head of an ad agency he inherited, and she's his clever, beautiful secretary. Their relationship can best be described as both off-and-on, and usually unofficial. The show alludes that Joan initially began her relationship with Roger as a way to get ahead in the company, though her feelings ultimately grew into love. When Roger's wife Mona divorces him for his multiple infidelities, the time seems right for Joan and Roger to ride off into the sunset, but Mad Men isn't that kind of show. Joan is both too intelligent to believe that Roger would be faithful to her, and too protective of her own emotions to risk being hurt by him, and Roger, poor fool, is too easily charmed by younger, prettier women to truly settle down. They both marry other people- Joan an abusive young doctor and Roger a shallow young secretary- but always long for each other regardless. However, the feelings remain, and the two even end up having a child together, whom Roger never acknowledges out loud, but supports. Oh, what might have been. How easily love is thwarted by human fallacy. 


19) Tommy and Cathy (Never Let Me Go)

   At its core, "Never Let Me Go" is an exploration of potential humanity. Tommy and Cathy are considered not people at all, not really. They are clones, created to ultimately be harvested for their organs when those wealthy enough to afford the treatment require transplants. They are raised knowing that they will not be alive for long, and are taught not to afford themselves the frivolous luxury of dreams. However, as in this life, we never truly know when love will strike us, and Tommy and Cathy fall in love, and spend the rest of the novel trying to convince others around them that the love they share is both real, valid, and worth preserving. The tragic ending is unbearable, with some fine performances by Andrew Garfield and Carey Mulligan in the film version. As Cathy notes, “What I'm not sure about, is if our lives have been so different from the lives of the people we save. We all complete. Maybe none of us really understand what we've lived through, or feel we've had enough time.” 


18) Sheldon Cooper and Amy Farrah Fowler (The Big Bang Theory)

    After several seasons of strict asexuality and bachelorhood, arrogant super genious Sheldon Cooper met his match. Enter Amy Farrah Fowler, a brainiac scientist who is just as awkward and hyper-intelligent as he is. (She is, however, considerably randier.) Though Penny and Leonard could arguably be considered the show's main couple, Amy and Sheldon (or "Shamy," per the internet) have emerged as their own tour-de-force, constantly pitting their own mutual love of science and knowledge against their friends' more conventional interests. It took about 3 years for them to kiss and a few more years to move to "the coitus phase," but it has been one hilarious ride, and for my money, Sheldon and Amy lend a show that already has brains a beating, endearing heart. 


17) Hannah Horvath and Adam Sackler (Girls)

     As far as fictional couples go, I have pretty ridiculous standards. I have to be able to see what these people would love about each other, and in the case of Adam and Hannah, that litmus test both fails and succeeds. "Girls" has always been about awful people being awful, and occasionally decent, usually with the "decent" parts thrown in just as the audience is about to bail on the whole endeavor. In the first few episodes, Adam is manic, perverted, lazy, and bizarre. Hannah is needy, self-absorbed, childish, and clingy. BUT, despite all odds, these two weirdos become a truly likeable couple, and as they grow with each other, each becomes more understandable. Adam, particularly, grows from one of the weirdest creations on television to one of the only lovable characters on the series, and you end up rooting for his ambition, his attempts at love, and his own growth. (Not so much Hannah, but that's for another time.) Their relationship ultimately ends when Hannah goes away to graduate school in Iowa and Adam finds someone else, but it was fun while it lasted. 


16) Nicky Nichols and Lorna Morello (Orange is the New Black)

    Sometimes, love can be found in the strangest of places. Lorna and Nicky are in prison, and neither are particularly stable. Lorna is a habitual liar and obsessive stalker, the kind of girl who still believes "Twilight" is a good book even though she's 25. Nicky is a heroin junkie, the kind of girl who has a quip and snark for every situation, but can't seem to find enough peace in herself to stay sober. They are an unlikely pair, but Nicky's shameless love for Lorna, despite fully seeing her flaws, is truly inspiring. Lorna takes some time to come around to Nicky, because falling for Nicky would mean having to admit that her imagined fiance actually has a restraining order against her, but al love brings about truth, and these two crazy kids eventually end up finding love in each other. It's true what they say- real love will set you free (even if you're in prison.)


15) Barney Stinson and Robin Scherbatsky (How I Met Your Mother)


14) Mary and Matthew Crawley (Downton Abbey)


13) Harry Burns and Sally Albright (When Harry Met Sally)


12) Katniss Everdeen and Peeta Mellark (The Hunger Games)


11) Landon Carter and Jamie Sullivan (A Walk to Remember)


10) Chandler Bing and Monica Gellar (Friends)


9) Nick Dunne and Amy Dunne (Gone Girl)


8) Jack Dawson and Rose deWitt Bukater (Titanic)


7) Jack Twist and Ennis del Mar (Brokeback Mountain)


6) Belle and the Beast (Beauty and the Beast)


5) Clementine Kruczynski and Joel Barrish


4) Cory Mathews and Topanga Lawrence (Boy Meets World)


3) Rhett Butler and Scarlett O'Hara


2) Marshall Eriksen and Lily Aldrin (How I Met Your Mother)


1) Gomez and Morticia Addams




















Thursday, December 15, 2016

2017 SAG Award Nominations


Best Actor in a Leading Role in a Motion Picture

Denzel Washington (Fences)
Casey Affleck (Manchester by the Sea)
Ryan Gosling (La La Land)
Viggo Mortenson (Captain Fantastic)
Andrew Garfield (Hacksaw Ridge)


Best Actress in a Leading Role in a Motion Picture

Amy Adams (Arrival)
Natalie Portman (Jackie)
Emma Stone (La La Land)
Meryl Streep (Florence Foster Jenkins)
Emily Blunt (The Girl on the Train)


Best Actor in a Supporting Role in a Motion Picture

Hugh Grant (Florence Foster Jenkins)
Mahershala Ali (Moonlight)
Dev Patel (Lion)
Jeff Bridges (Hell or High Water)
Lucas Hedges (Manchester by the Sea)


Best Actress in a Supporting Role in a Motion Picture

Michelle Williams (Manchester by the Sea)
Octavia Spencer (Hidden Figures)
Viola Davis (Fences)
Naomie Harris (Moonlight)
Nicole Kidman (Lion)


Best Performance by an Ensemble in a Motion Picture

Moonlight
Manchester by the Sea
Fences
Captain Fantastic
Hidden Figures


Best Actor in a Drama Series
Rami Malek (Mr. Robot)
Sterling K. Brown (This is Us)
Peter Dinklage (Game of Thrones)
John Lithgow (The Crown)
Frank Underwood (House of Cards)


Best Actress in a Drama Series

Millie Bobby Brown (Stranger Things)
Winona Ryder (Stranger Things)
Robin Wright (House of Cards)
Claire Foy (The Crown)
Thandie Newton (Westworld)


Best Actor in a TV Movie or a LImited Series
Riz Ahmed (The Night Of)
Sterling K. Brown (The People Vs. OJ Simpson)
John Torturro (The Night Of)
Bryan Cranston (All the Way)
Courtney B. Vance (The People Vs. OJ Simpson)


Best Actress in a TV Movie or Limited Series

Kerry Washington (Confirmation)
Sarah Paulson (The People Vs. OJ Simpson)
Felicity Huffman (American Crime)
Bryce Dallas Howard (Black Mirror)
Audra McDonald (Lady Day at the Emerson Bar and Grill)


Best Actor in a Comedy Series

Anthony Anderson (Blackish)
Jeffrey Tambor (Transparent)
William H. Macy (Shameless)
Tituss Burgess (Unbreakable Kimmy Schmidt)
Ty Burrell (Modern Family)


Best Actress in a Comedy Series

Uzo Aduba (Orange is the New Black)
Lily Tomlin (Grace and Frankie)
Ellie Kemper (Unbreakable Kimmy Schmidt)
Jane Fonda (Grace and Frankie)
Julia Louis-Dreyfuss (Veep)


Best Performance by an Ensemble, Drama

The Crown
Stranger Things
Game of Thrones
Downton Abbey
Westworld


Best Performance by an Ensemble in a Comedy

Blackish
The Big Bang Theory
Modern Family
Veep
Orange is the New Black











Monday, December 12, 2016

Golden Globes: Acting Nominees 2016


Best Actor in a Motion Picture, Musical or Comedy
Ryan Gosling (La La Land)** WINNER
Hugh Grant (Florence Foster Jenkins)
Jonah Hill (War Dogs)
Colin Farrell (The Lobster)
Ryan Reynolds (Deadpool)



Best Actor in a Motion Picture, Drama
Casey Affleck (Manchester by the Sea)** WINNER
Denzel Washington (Fences)
Viggo Mortenson (Captain Fantastic)
Joel Edgerton (Loving)
Andrew Garfield (Hacksaw Ridge)



Best Actress in a Motion Picture, Musical or Comedy
Emma Stone (La La Land)** WINNER
Hailee Steinfield (The Edge of Seventeen)
Annette Bening (20th Century Women)
Meryl Streep (Florence Foster Jenkins)
Lily Collins (Rules Don't Apply)


Best Actress in a Motion Picture, Drama
Natalie Portman (Jackie)
Isabelle Huppert (Elle)** WINNER
Amy Adams (Arrival)
Ruth Negga (Loving)
Jessica Chastain (Miss Sloane)



Best Performance by an Actor in a Supporting Role in a Motion Picture
Mahershala Ali (Moonlight)
Aaron Taylor-Johnson (Nocturnal Animals)**WINNER
Jeff Bridges (Hell or High Water)
Dev Patel (Lions)
Simon Helberg (Florence Foster Jenkins)



Best Performance by an Actress in a Supporting Role in a Motion Picture
Viola Davis (Fences)** WINNER
Nicole Kidman (Lion)
Naomie Harris (Moonlight)
Michelle Williams (Manchester by the Sea)
Octavia Spencer (Hidden Figures)



Best Performance by an Actor in a Leading Role in a Television Series, Musical or Comedy
Jeffrey Tambor (Transparent)
Nick Nolte (Graves)
Anthony Anderson (Blackish)
Gael Garcia Bernal (Mozart in the Jungle)
Donald Glover (Atlanta)** WINNER



Best Performance by an Actor in a Leading Role in a Television Series, Drama
Bob Odenkirk (Better Call Saul)
Matthew Rhys (The Americans)
Billy Bob Thornton (Goliath)** WINNER
Rami Malek (Mr. Robot)
Liev Schrieber (Ray Donovan)


Best Performance by an Actress in a TV Series, Comedy
Julia Louis-Dreyfuss (Veep)
Gina Rodriguez (Jane the Virgin)
Rachel Bloom (Crazy Ex-Girlfriend)
Sarah Jessica Parker (Divorce)
Issa Rae (Insecure)
Tracy Ellis Ross (Blackish) **WINNER


Best Performance by an Actress in a TV Series, Drama
Evan Rachel Wood (Westworld)
Winona Ryder (Stranger Things)
Keri Russell (The Americans)
Claire Foy (The Crown) **WINNER
Caitriona Balfe (Outlander)


Best Performance by an Actor in a Supporting Role in a Series, Limited Series, or Motion Picture Made for TV
John Lithgow (The Crown)
Hugh Laurie (The Night Manager)** WINNER
Sterling K. Brown (The People Vs. OJ Simpson)
Christian Slater (Mr. Robot)
John Travolta (The People Vs. OJ Simpson)


Best Performance by an Actress in a Supporting Role in a Series, Limited Series, or Motion Picture Made for TV
Lena Headey (Game of Thrones)
Olivia Coleman (The Night Manager)** WINNER
Thandie Newton (Westworld)
Chrissy Metz (This is Us)
Mandy Moore (This is Us)


Best Performance by an Actor in a Leading Role in a Series, Limited Series, or Motion Picture Made for TV
Courtney B. Vance (The People Vs. OJ Simpson)
Jon Turturro (The Night Of)
Bryan Cranston (All the Way)
Riz Ahmed (The Night Of)
Tom Hiddleston (The Night Manager)** WINNER



Best Performance by an Actress in a Leading Role in a Series, Limited Series, or TV Movie
Sarah Paulson (The People Vs. OJ Simpson)** WINNER
Kerry Washington (Confirmation)
Riley Keough (The Girlfriend Experience)
Felicity Huffman (American Crime)
Charlotte Rampling (London Spy)